Thursday 10/26
Objectives:
1. Bass Review 2. Specifying Baselines 3. BassLine Activity |
Assignments:
DUE TUESDAY : -Bassline Homework |
Characteristics of Bass:
Harmony and Rhythm : by examining these two characteristics, we can classify what kind of "bass line" we are listening to
Harmony
When Discussing Harmony Of the Bass, we are concerned with what actual notes are being played in the bass line Is it made up of many notes? one not repeated over and over? is it a small melody that repeats over the whole tune? Remember that The Bass Note is defined as being the lowest sounding note - So by definition the bass is a part of the harmony - the lowest part |
Rhythm
Here we are concerned not as much about the actual notes/pitches being played, but what Rhythm they are played to If we can imagine taping out the rhythm of the bassline on our desk or on a drum (i.e. no notes just the rhythm) this is the aspect rhythm is concerned with Is it very repetitive and predicable rhythmically, is it varied and unpredictable, a little of both? |
Example.......
In Hey jude, the Bass is in the bottom line. Notice how the note only changes when the actual chord changes (see chords over the staff) Harmony This is not very Harmonically Complex = aka not very many notes - just one note per chord Rhythm We can see/hear that it is the same rhythm over and over in the bass line (bottom note). Rhythmically repetitive, and simple. (BUT could be simpler if it was just one long note) |
In 'All of Me', the Bass note is always the same as the Chord Root
What about in other Styles?
Example......
In Jazz music, we see a walking bass
Harmony
the bass is constantly moving harmonically - i.e. many notes per chord. Even though the chord stays the same for the first 4 measures, the bass player is playing many notes.
Rhythm
The walking bass is rhythmically repetitive and simple, but not just a sustained note!!
In Jazz music, we see a walking bass
Harmony
the bass is constantly moving harmonically - i.e. many notes per chord. Even though the chord stays the same for the first 4 measures, the bass player is playing many notes.
Rhythm
The walking bass is rhythmically repetitive and simple, but not just a sustained note!!
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Now contrast that simple / repetitive rhythm with these more disjointed examples..
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Rhythmically, we are always listening for simplicity and repetition (walking bass examples) , or lack there of (Funk Examples)
Now contrast that ALL with these Pop Examples - Their Synth Bass is almost void of any rhythm - as they are just sustained notes (these would be known as 'Pads')
Now contrast that ALL with these Pop Examples - Their Synth Bass is almost void of any rhythm - as they are just sustained notes (these would be known as 'Pads')
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Go Back to our analogy of tapping out the rhythm on our desk or a drum - with these Sustained examples, we wouldn't have very much to tap out, or wouldn't beat on the drum very much compared to our funk examples or even jazz walking bass examples
They actually try to fool us by putting so many layers over top of the bass note that we almost can't hear it - but its there!!
They actually try to fool us by putting so many layers over top of the bass note that we almost can't hear it - but its there!!
Types of Basslines
Identifying Styles of Basslines
Since we are concerned with the rhythmic and Harmonic qualities of the bass line, with a series of questions (questionnaire style) we can narrow down just WHAT type of baseline we are dealing with
Rhythmic ?'s
Repetitive OR Non-Repetitive
Very Few Notes per Chord OR Many notes per Chord
Steady On Beat OR Melodic
Harmonic ?'s
Repetitive OR Non-Repetitive
Very Few Notes per Chord OR Many notes per Chord
Guide:
Sustained
Rhythmic: Repetitive, Few or Many , Stead on Beat
Harmonic: Repetitive, Few Notes/Chord,
Walking
Rhythmic: Repetitive, Many Notes/Chord, Steady on Beat
Harmonic: Non-Repetitive, Many Notes/Chord,
Riffed
Rhythmic: Repetitive, Many Notes/Chord , Melodic
Harmonic: Repetitive, Many Notes/Chord,
Notice how the differences are minuscule and maybe only different in one of our questionnaire categories
If the Bassline does not fit into any of these categories.....
it would be known as an IMPROVISED bassline. These other baselines have a set of rules and characteristics to follow, in other words they are composed or predetermined or written.
HOWEVER
the bass player could just be making it up as he goes a long, or spontaneously composing. This means there will probably be little repetition and not very many trends in that line, so it wouldn't fit into any of our categories.
Rhythmic ?'s
Repetitive OR Non-Repetitive
Very Few Notes per Chord OR Many notes per Chord
Steady On Beat OR Melodic
Harmonic ?'s
Repetitive OR Non-Repetitive
Very Few Notes per Chord OR Many notes per Chord
Guide:
Sustained
Rhythmic: Repetitive, Few or Many , Stead on Beat
Harmonic: Repetitive, Few Notes/Chord,
Walking
Rhythmic: Repetitive, Many Notes/Chord, Steady on Beat
Harmonic: Non-Repetitive, Many Notes/Chord,
Riffed
Rhythmic: Repetitive, Many Notes/Chord , Melodic
Harmonic: Repetitive, Many Notes/Chord,
Notice how the differences are minuscule and maybe only different in one of our questionnaire categories
If the Bassline does not fit into any of these categories.....
it would be known as an IMPROVISED bassline. These other baselines have a set of rules and characteristics to follow, in other words they are composed or predetermined or written.
HOWEVER
the bass player could just be making it up as he goes a long, or spontaneously composing. This means there will probably be little repetition and not very many trends in that line, so it wouldn't fit into any of our categories.
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Class Examples:
Under Pressure - David Bowie
Give it Away - Red Hot Chili Peppers
Fly me to the Moon - Frank Sinatra
Do I Really Wanna Know - Arctic Monkeys
Thru and Thru - Rollings Stones
The Animals - House of the Rising Sun
What about the Billboard top Ten
Under Pressure - David Bowie
Give it Away - Red Hot Chili Peppers
Fly me to the Moon - Frank Sinatra
Do I Really Wanna Know - Arctic Monkeys
Thru and Thru - Rollings Stones
The Animals - House of the Rising Sun
What about the Billboard top Ten
BassLine Homework
Due Next Tuesday : Typed
Give the Following information for the song list:
- Genre/Instrumentation - BassLine Questionnaire ?'s - Type of BassLine After Completing these for all the songs, answer the following Question: Did you notice any trends or correlation between genre/instrumentation and type of bass line? -What were they? -Can you speculate why this would happen? (i.e. What if you superimposed a different type of baseline over that song, would it be as good? As effective?) |
Song list:
1. Take a Walk on the Wild Side - Lou Reed 2. I Want You Back - The Jackson 5 3. Billi Jean - Micheal Jackson 4. I Wish I Knew - Blue Mitchell 5. Let's Get it On - Marvin Gaye 6. All I Do - Stevie Wonder 7. Lay Lady Lay - Bob Dylan 8. Are you My Woman - The Chi-Lites 9. Bill Withers - Lovely Day 10. Haven't Met you Yet - Michael Buble 11. Landslide - Stevie Nicks **** If you are confused , or can't pick a category, or it sounds like it could fit in multiple categories, describe what you are hearing and why you think it fits in multiple**** |